

Possibly, The Beatles toked up when they cut their teeth in Hamburg
between 1960-62, but if they did, it didn't affect them until Dylan sparked
that fateful phattie. Most of the Beatlemania era is pretty "straight." Beatles' lyrics were about girls and love (like everyone in the top 30),
and the arrangements were straightforward rock 'n' roll with a few
ballads.
That said, a few songs
from the Beatlemania era rock under the influence. I Feel Fine
kicks off with shrieking
feedback that'll blow your mind (and which helped pave the way for
the distorted guitar of Jimi Hendrix), and Ticket To
Ride, whose chiming guitars
betray an Indian twang. In both songs, the guitars mesmerize the
listener through your speakers or headphones. It's no secret that the band at this time was smoking pot "for breakfast," recalled John Lennon, and it's effect may have seeped into Ticket To Ride.
On
a general note, the American Capitol mixes drenched in echo sound
better to stoners than the dry EMI mixes. Echo sounds great when
you're stoned. Listen to Roll Over Beethoven on
The Beatles' Second Album
where the reverb will blow your mind, then compare that to the the
dry mix on With the Beatles where
George's guitar sounds like an elastic band.

Instead,it took a full year for the creative and psychological effects of grass to affect visibly appear in their music. By the release of Rubber Soul in December 1965, John, George and Ringo (and to a lesser extent Paul) had tripped on LSD, which who colour Revolver the following summer.
The
first clue is the album cover: stretched, distorted faces. The
moptops are daytripping.
Most
of the songs are still about girls, but the lyrics of Norwegian
Wood, Girl and In My
Life shimmer with symbolism and
imagery. Nowhere Man doesn't
even talk about love
but alienation and identity. These weren't dance songs, but head
songs. Music to make you think.
Sonically,
too, the band was exploring. George's sitar in Norwegian
Wood adds a new texture to the
Beatles sound. The funky bass line in Drive My Car is
a stone groove. I'm Looking Through You sweeps
the listener away with its stabbing accordion notes and driving
acoustic guitar.
And
this is just the start.
Revolver is dipped in
LSD. You first hear it in the Indian-like
twang of Paul's searing guitar solo in Taxman; then in
the sluggish, backwards guitar and sped-up John vocal of I'm
Only Sleeping; George's Indian
showcase of Love You To; the
hard, trebly guitars of She Said, She Said and
And Your Bird Can Sing; Paul's
recounting his pot experience (always a step behind the others in substances) in Got To Get You Into My Life;
and of course the stunning album
closer, Tomorrow Never Knows which
details an acid trip with lyrics lifted from the Tibetan
Book of the Dead and LSD guru
Timothy Leary.
Never
before was there this much distorted and manipulated music on a
Beatles record. Add to this the single that was recorded during these
spring 1966 sessions, Paperback Writer and
Rain, which featured
heavy guitars, deep echo, backwards vocals and sluggish drums.
Start
listening, though, with take one of Tomorrow Never Knows
found on Anthology 2.
It's stripped
down and distorts John's voice so much he sounds like he's singing
from another galaxy. This is one of the overtly druggiest songs in
the entire Beatles cannon. Start here and float downstream...
SGT.
PEPPER'S LONELY HEARTS CLUB BAND


However,
Paul sets the album's tone with the title song featuring the hardest
guitars heard on a Beatles album up to that point.
Other
highlights include
George's Within You Without You which
features an extended duel between Western orchestral instruments and
classical Indian ones that sounds hypnotic.
The
most impressive song, of course, is the closer, A Day In
The Life, which features a
haunting Lennon vocal, sharp tempo changes, two orchestral rushes and
a 42-second multi-tracked piano chord that sweep the listener through
a harrowing five-minute sonic journey. The song remains the towering
achievement in The Beatles career.

Strawberry Fields
Forever and Penny Lane
represent a peak in songwriting
and sound construction. They aren't so much songs but music collages
that evoke vivid images and the whole gamut of emotion from
melancholy to joy.

![]() |
Photographed by Richard Avedon, 1968 |
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However,
the Zen-like arrangement and beautiful harmonies of Because
are heavenly. One of the best
stoner songs by anybody. All of side 2 starting with Here
Comes The Sun must be listened
to in order as the momentum rises with each song fragment and sweeps
away the listener.
LET
IT BE
This patchwork album offers a few gems for stoners. Across The Universe evokes the heavens in its lyrics and symphonic backing. Let It Be sounds sacred under the influence. I Me Mine features a biting guitar. The Beatles sound like a cool bar band in the Apple rooftop songs I've Got A Feeling and Get Back.
This patchwork album offers a few gems for stoners. Across The Universe evokes the heavens in its lyrics and symphonic backing. Let It Be sounds sacred under the influence. I Me Mine features a biting guitar. The Beatles sound like a cool bar band in the Apple rooftop songs I've Got A Feeling and Get Back.
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